Thursday, May 26, 2005
Monday, May 16, 2005
Sunday, May 15, 2005
Saturday, May 14, 2005
Singapore, Singapore
This is Singapore's skyline on an evening, as seen from Sheares Bridge. It's the same day where I took this and this picture. As it was a Sunday when this picture was took, the office buildings in the central business district were not as brightly lit as one would expect.
Together with my other panaromic pictures, this picture can be found in my Panaroma Gallery on pbase.
Tuesday, May 10, 2005
Serendipity
Took this picture on a Sunday afternoon when having coffee alone. Had a mental picture that this picture will express the tranquility of that moment. Sontag's On Photography seems to be my companion for most of these lazy afternoons.
She wrote, I quote: "Unlike the fine-art objects of pre-democratic eras, photographs don't seem deeply beholden to the intentions of an artist. Rather, they owe their existence to a loose cooperation (quasi-magical, quasi-accidental) between photographer and subject - mediated by an ever simpler and more automated machie, which is tireless, and which even when capricious can produce a result that is interesting and never entirely wrong."
But how often are 'good' pictures results of conscious planning? I will be glad if I can say for sure that half of my good pictures are perfect executions of my visualization than mere luck. Serendipity should never be the compensation for inexperience and incompetence, I reckon!
Tuesday, May 03, 2005
Perfect Compositions
I was savoring a quiet moment on Sheares Bridge, watching sunset and reading. Susan Sontag wrote, in her famous photography essays, On Photography:
"Where as painter, according to (Edward) Weston, has always "tried to improve nature by self-imposition," the photographer has "proved that nature offers an endless number of perfect 'compositions,' - order everywhere." "
What is your philosophy in taking (or making) a photograph?